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Theatre Responds to Social Trauma: Chasing the Demons
Ellen Kaplan
This book is a collection of chapters by playwrights, directors, devisers, scholars, and educators whose praxis involves representing, theorizing, and performing social trauma.
Chapters explore how psychic catastrophes and ruptures are often embedded in social systems of oppression and forged in zones of conflict within and across national borders. Through multiple lenses and diverse approaches, the authors examine the connections between collective trauma, social identity, and personal struggle. We look at the generational transmission of trauma, socially induced pathologies, and societal re-inscriptions of trauma, from mass incarceration to war-induced psychoses, from gendered violence through racist practices. Collective trauma may shape, protect, and preserve group identity, promoting a sense of cohesion and meaning, even as it shakes individuals through pain. Engaging with communities under significant stress through artistic practice offers a path towards reconstructing the meaning(s) of social trauma, making sense of the past, understanding the present, and re-visioning the future.
The chapters combine theoretical and practical work, exploring the conceptual foundations and the artists’ processes as they interrogate the intersections of personal grief and communal mourning, through drama, poetry, and embodied performance. Source: Publisher
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From Stage to Page: Theater and Story as Literary Practices
Ellen Kaplan
Book abstract: This book presents multiple innovative literacy approaches promoting self-leadership and agency, aspiring to transformation and hope for individuals and communities by showcasing practical field experiences (qualitative research, quantitative research, case studies, etc) supported by a theoretical framework"-- Provided by publisher.
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Real Clothes, Real Lives : 200 Years of What Women Wore
Kiki Smith
An unprecedented look at women’s everyday clothes—from Sylvia Plath’s Girl Scout uniform to psychedelic microminis, modern suits, and fast-food workers’ uniforms—this fascinating volume shows how American women from every background have lived, worked, and dressed for 200 years. Groundbreaking in its focus on the everyday clothing of ordinary American women—a subject neglected in most fashion histories—Real Clothes, Real Lives highlights over 300 garments and accessories from the Smith College Historic Clothing Collection. This unique survey honors countless lives, tracing through the lens of dress how women’s roles have changed over the decades. Each piece holds colorful stories about the woman who wore it, the one who made or bought it, and her context in place and time. Whether homemade or ready-made, many of the garments are modest and inexpensive. Some are one-of-a-kind pieces; others are examples of clever making-do, which seems particularly relevant today; and most reflect the popular styles of their era. Among the many extraordinary examples are a rare World War I uniform worn by an American woman working behind enemy lines and a 1970s go-go dancer’s costume. Exceptional photography and rich archival visuals accompany the highly readable texts, which offer a wealth of historical and social analysis of a side of fashion and feminism rarely considered. Source: Publisher
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Images of Mental Illness Text and Performance
Ellen Kaplan and Sarah J. Rudolph
Theoretical inquiry into the representation of mental illness on stage has not kept pace with theatre scholarship relating to images of marginalized populations as presented on stage, nor with developments in current thinking about mental disease. This collection examines the dynamics of characterization and the problematics of representation within the context of new trends in pharmacology and reconfigured definitions of mental disease, at a time when unprecedented attention is being given to the complex realities of living with mental disorders. Source: Publisher
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