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2024

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Through the Lens of European Decadence: Hongjian Wang’s π·π‘’π‘π‘Žπ‘‘π‘’π‘›π‘π‘’ 𝑖𝑛 π‘€π‘œπ‘‘π‘’π‘Ÿπ‘› πΆβ„Žπ‘–π‘›π‘’π‘ π‘’ πΏπ‘–π‘‘π‘’π‘Ÿπ‘Žπ‘‘π‘’π‘Ÿπ‘’ π‘Žπ‘›π‘‘ πΆπ‘’π‘™π‘‘π‘’π‘Ÿπ‘’, Sabina Knight

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China’s Most Important Woman Writer of The Last Half-Century: A Review of Wang Anyi’s I Love Bill and Other Stories, Sabina Knight

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Short Stories from Taiwan, Sabina Knight and Sophie Roell

2023

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The Power of Chinese Narrative – interview with Sabina Knight, Sabina Knight and Helen Wang

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The Poet and the Historian: On Julian Gewirtz’s β€œYour Face My Flag” and β€œNever Turn Back”, Sabina Knight

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A Quirky Composite Portrait: A Review of The Book of Beijing, Sabina Knight

2022

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A Tautology or Two While We Translate Chinese Classics, Sabina Knight and Kidder Smith

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Sculpted Time, Sabina Knight

 

Dancing in the Park, Sabina Knight

 

The Cultural Revolution and Mo Yan’s Nobel Prize, Sabina Knight

 

Daoism, Confucianism and Anti-War Poetry, Sabina Knight

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China's Minority Fiction, Sabina Knight

2016

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Culture, Health, and Science: A Multidisciplinary Liberal Arts Alternative to the Public Health Major, Morgan M. Morgan, Sabina Knight, and Aline C. Gubrium

2012

 

β€œMo Yan Wins Nobel Prize,” Sabina Knight with Tom Ashbrook, β€œOn Point” interview, Sabina Knight and Tom Ashbrook

2006

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Blurred Genres, Blended Memories: Engendering Dissidence in Nawal el Saadawi's Memoirs of a Woman Doctor and Tsitsi Dangarembga's Nervous Conditions, Katwiwa Mule