Cultural Performances in Medieval France: Essays in Honor of Nancy Freeman Regalado

Creator

Eglal Doss-Quinby, Smith CollegeFollow
Roberta L. Krueger, Hamilton College
E. Jane Burns, University of North Carolina at Chapel Hill

Files

Preview

Creation Date

2007

Publisher

D.S. Brewer

City

Rochester, N.Y.

Comments

Other Formats

• Cultural Performances in Medieval France: Essays in Honor of Nancy Freeman Regalado [electronic resource]. Boydell and Brewer (2007). JSTOR, http://www.jstor.org/stable/10.7722/j.ctt169wfdd

Reviews

• Revue Belge de Philologie et d’Histoire 88 (2010): 608–09, by Tania van Hemelryck
• Studi Medievali 51 (2010): 1047–49, by Albrecht Classen
• Zeitschrift für romanische Philologie 126 (2010): 755–61, by Marie-José Heijkant
• Studi Francesi 54 (2010): 337–38, by Giovanni Matteo Roccati
• Speculum 84 (2009): 700–02, by Susan Dudash
• French Review 82 (2009): 1309–10, by Daniel O’Sullivan
• Vox Romanica 68 (2009): 320–24, by Dominique Billy
• Medieval Perspectives 24 (2009): 139–42, by Ellen Thorington
• Revue Belge de Philologie et d’Histoire 86 (2008): 941–42, by Hélène Haug
• Medium Ævum 77 (2008): 186, by Laura Ashe
• Early Music 36 (2008): 449–51, by Elizabeth Eva Leach
• Encomia 29–30 (2007–2008): 18–20, by Christopher Callahan
• Cahiers de Recherches Médiévales et Humanistes (2007): 11473, by Sylvère Menegaldo
• Early Music America (Fall 2007): 54–55, by Maria Coldwell

Document Type

Book

Description

This collection of essays pays tribute to Nancy Freeman Regalado, a groundbreaking scholar in the field of medieval French literature whose research has always pushed beyond disciplinary boundaries. The articles in the volume reflect the depth and diversity of her scholarship, as well as her collaborations with literary critics, philologists, historians, art historians, musicologists, and vocalists — in France, England, and the United States. Inspired by her most recent work, these twenty-four essays are tied together by a single question, rich in ramifications: How does performance shape our understanding of medieval and pre-modern literature and culture, whether the nature of that performance is visual, linguistic, theatrical, musical, religious, didactic, socio-political, or editorial? The studies presented here invite us to look afresh at the interrelationship of audience, author, text, and artifact, to imagine new ways of conceptualizing the creation, transmission, and reception of medieval literature, music, and art.

Contributors: Anne Azéma, Renate Blumenfeld-Kosinski, Cynthia J. Brown, Elizabeth A. R. Brown, Matilda Tomaryn Bruckner, E. Jane Burns, Ardis Butterfield, Kimberlee Campbell, Robert L. A. Clark, Mark Cruse, Kathryn A. Duys, Elizabeth Emery, Sylvia Huot, Marilyn Lawrence, Kathleen A. Loysen, Laurie Postlewate, Edward H. Roesner, Samuel N. Rosenberg, Lucy Freeman Sandler, Pamela Sheingorn, Helen Solterer, Jane H. M. Taylor, Evelyn Birge Vitz, Lori J. Walters, and Michel Zink.